The artwork was commissioned by Fowsia Musse and Yun Garrison and funded by Bates College. Won Kyoung Lee, a Korean woman and visual artist & educator in Maine contributed to the drawing and painting of the visual art pieces. Lee is a public artist. She uses a dot as the very beginning of unlimited connections. She sees herself as a dot amidst a larger body of people. Lee worked on this project as a dot toward connections and solidarity with refugee women. She used acrylic paint and fabric on 22"x28" wood panels.